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Dehd have found their balance: a little bit of heaven in hell, and vice versa. This feeling you can laugh at your indescribable heartache," Kempf jokes. That's new and exciting and crazy! McGrady had never played drums before joining Dehd, and he still keeps his set simple�just a snare and floor tom. He's a man of few words and declined to participate directly in this story. He explained through the band's publicist that he really doesn't care for interviews.
The Flower of Devotion track "Apart" is the first he's written for the band as well as the first he's sung�his baritone voice, offset by Kempf's honeyed coo, recounts the pains of growing older. Then when we were in the studio, he was like, 'Let's lay it down. At the time, Balla was part of buzzworthy four-piece Ne-Hi and Kempf was making music as Vail she was also playing on and off with singer-songwriter Lillie West in Lala Lala , and appears on that act's album The Lamb.
For a few years, Dehd was more or less a side project�an excuse for the couple to tour together, with McGrady and his no-frills style providing Victorian Landscape Artist 70 a steady pulse. When Ne-Hi split in May , a few weeks before Water finally came out, Dehd were ready to take center stage. Ne-Hi's demise surprised the Chicago rock community, because they were so widely assumed to be the city's next breakout band. But it had an upside, as Balla sees it. It's wearing you thin," he says.
I guess, at a certain point, I wanted to focus on something and get really good at that. Dehd have concentrated their attention and honed their sound while staying true to their signature simplicity and their democratic approach to songwriting and decision making, which is rooted in the lessons all three members learned over the years in Chicago's DIY scene. While McGrady hasn't written much, for instance, his input into the band's aesthetic is integral as tracks come together.
And no one is required to do interviews. Balla handles production, but Dehd make choices as a group to ensure everyone's voice is heard. He compares writing lyrics to "free word association" sprinkled with luck, Kempf confesses , and he says the band's melodies are often influenced by spontaneous discoveries they make while tinkering with their instruments and effects pedals or messing around on the mikes during jam sessions.
I've never really been in a project where we can record ourselves, do the art. It feels nice to have your hands on stuff rather than fall victim to other things," Balla says. Where Dehd's past releases�including the menacing EP Fire of Love and their self-titled debut�muddled Kempf's vocal acrobatics with layers of swirling psychedelia and rumbling reverb, Flower of Devotion showcases them with intention.
With its full-throated howls, playful yelps, and rasping whispers, Kempf's voice is her main instrument, she says�the bass comes in a close second. At times her vibrato makes her sound a bit like PJ Harvey, Wanda Jackson, or even Roy Orbison, and her wild-eyed delivery captures the energy of Dehd's live show.
Listening to the new album, you can envision her jumping around onstage or dancing in the studio, wielding her bass like a scepter.
Kempf compares exploring different vocal inflections to trying on outfits as a form of expression. When she decides how to perform a song, she relies on visualization�by drawing on the track's themes and sound, she can imagine a physical space it inhabits and let that guide her mood. Visualization saved one of the standout tracks on Flower of Devotion �the climactic "Flood," Dehd's latest single�from the trash can. The mega life-after-love ballad, which Kempf started writing at the beginning of a new relationship and finished after it ended, was ditched early in the recording sessions, but Balla suggested they try to revive it.
He picked up his guitar and worked out a new part. Which I just realized the video is exactly that, but this is the first time I've vocalized that that's what your guitar line made me feel like. Not even consciously deciding that, but intuitively knowing this is what the song needs for the idea of it to come across in the best possible way. Balla's voice, usually thinner on the band's past recordings, sounds more confident on Flower of Devotion. On tracks such as the subtly devastating "Month" and "Disappear," his singing picks up elements from his beefed-up guitar rhythms.
He's also learned more about tracking and developed an increasingly adventurous approach to setting up a recording space, so that his production work can amplify a myriad of textures. To capture more clarity and variety, the band also had to set what he calls a "higher standard" for their playing. Typically one-and-done in the studio, they pushed themselves a bit further this time. We wanted the drums to sound great and big, and the rhythms�make them heard in the way they deserve to be heard.
Eric has this understated brilliance to the way he plays. You don't think about it, but it's so essential to how the songs work. If anything, in our band, we've gotten better at listening to what everyone's actually doing.
Flower of Devotion feels like the work of a band tuned into one another's strengths, with Landscape Artist Course Vessel a shared dedication to turning sadness, grief, and loneliness into something that at least sounds like it was all worth it. Something not to fear, but to dive into. If the pandemic had never happened, Dehd would've released the album this spring, after a five-city tour that would've taken them to Austin, Texas, for South by Southwest.
At the time COVID hit, they'd also been announced as part of the lineup for this year's Pitchfork Music Festival�which would've been their biggest show to date. The band guess that they'll remain unable to tour until at least February or March of , so they're turning out music videos a passion of Kempf's.
The "Loner" video is a literal exploration of the band's heaven-and-hell themes, codirected by Kempf and starring local actor Alex Grelle. They've also negotiated for some space within their label's usual promotional schedule, pushing back on posting about their projects every two days�as Black Lives Matter protests continue across the city, Dehd have used this space to provide resources and center other voices where they can.
Last month, Kempf turned Dehd's tour van into a delivery vehicle for organizations collecting food, baby supplies, and other necessities.
The band directed proceeds from a recent Bandcamp Friday to the ACLU, and their website includes a page dedicated to community resources and information about national campaigns on climate change, environmentalism, food waste, and more. Dehd's Instagram story is more likely to contain petitions from Save Our Stages, links to donate to Assata's Daughters, and demands for justice for Breonna Taylor and her family than it is promotional posts about current singles and album preorders.
Dehd hope to organize a virtual album-release show for August or early September, featuring prerecorded performances of the trio all in the same space as well as to-be-determined live interactive elements. Evening in the Lavender Fields, John O'Grady The fabulous colour of lavender fields in full bloom, a sure sign summer has arrived in Provence Provence lavenderfield summer art.
Chapel in the Woods a landscape painting by John O'Grady Dappled light play on the path leading to a Roman chapel nestled among pine trees one late summer afternoon in Provence provencepainting smallpainting contemporaryart. Icarus by John O'Grady This luminous cloud painting captures the atmosphere of a rising cumulus while a plane is flying towards it in turn grey and luminous cloudpainting modernart homedecor shopart.
Between the Dark and Dawn, John O'Grady A Ben Bulben original oil on canvas painting with the subtle violet and brown colours of the land revealed by the first light of dawn contemporaryart shopart benbulben irishart cloudscape. Dawn on the River by John O'Grady A large oil on canvas with the soft salmon colours of a peaceful morning on the river dawnpainting salmon morninglight largepainting oiloncanvas shopart.
You Are Everything VIII by John O'Grady A dream-like view of the sea at sunset with a green copper-coloured sky and dark orange grasses seascape dreamylandscape sunsetpainting irishart shopart coucherdesoleil. The Fairy Rath V by John O'Grady A side view of this dramatic large Irish landscape painting with a copse of trees in the evening light and deep green and violet colours irishart contemporaryart largepainting violet cloudysky.
The Silver Sea by John O'Grady displayed in a sitting room A large panoramic Irish seascape with a big moody sky largepainting wallartidea decor contemporaryart designidea buyart.
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