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You may have determined this already from the above list, but a great Canon landscape photography lens kit consists of one or more lens from each of the following categories:. Visit the Canon Lens Recommendations page for more recommendations. The best landscape lens needs the Best Landscape Camera � check out our recommendations. With a selection or multiple selections from each of the above categories, you will have lenses with a vast range of focal lengths for your landscape photography needs.
Landscape photography can make use of all focal lengths Canon currently offers, from the widest angle through the longest telephoto, but I'll approximate the most useful range at mm.
The ultra-wide-angle lenses will allow you to emphasize a foreground subject against an all-in-focus large scene, the telephoto lenses will keep distant subjects large in the frame, and the general-purpose lens will frequently find landscape application. The focal length is of primary importance for landscape photography, but the max aperture is usually not.
While a wide aperture can be used to isolate a detail in the landscape or to capture the night sky, much landscape photography uses small apertures for significant DOF Depth of Field. Therefore and fortunately, landscape photography does not require the fastest lenses, those with the widest aperture and accompanying heaviest weight, largest size, and highest cost.
What is needed is high contrast and resolution from corner to corner of the frame. Landscape subjects typically have extremely fine details, and the sharp reproduction of these subjects is a requirement. Lenses need to be sharp enough to show the tiniest details. Landscape photography often requires travel to get to the ultimate landscape photography destination. When traveling by airline, you will want to keep your pack light.
The same need applies when hiking to a select location. Packing light helps keep the photographer's energy up, and increased energy will allow him or her to better focus on capturing the desired image. Light weight is a generally important feature for a lens in the landscape kit. Since landscape subjects are often motionless, image stabilization can be a huge benefit for a landscape lens for those times when a tripod is not desired or practical.
Even under full sunlight, I very frequently need image stabilization to make handheld shooting successful, especially when using a light-reducing circular polarizing filter a mandatory part of the landscape kit. The wind typically found at some of the ultimate landscape locations further increases the need for image stabilization with handheld daylight photography.
Since landscape subjects are often motionless, fast autofocus is not usually an essential feature for landscape photography. I use regularly use autofocus when shooting landscapes, but waiting even an extra second for the lens to focus would seldom make a difference in my images unless the wife and kids are waiting for me. Even manual focus often works well for landscape photography, especially when photographing at narrow apertures.
Landscape photographers encounter bad weather or search for it to capture the moodiest images , and this inclement weather may or may not be expected. Those working around water may also have to deal with saltwater or freshwater spray.
Having weather sealed gear is a definite advantage under these circumstances. In addition to using mostly weather-sealed equipment, I generally have rain covers with me to quickly cover everything if necessary. Should I get a prime or a zoom lens for landscape photography? The prime vs. Generalizing, the most significant advantage of using a prime lens is the ultimate image quality. These lenses typically produce the sharpest corners, low or no distortion, the least vignetting, and the best sunstars.
Blurry corners are usually not appreciated in landscape images. Distortion is typically the most noticeable when a flat line appears near the frame border, and curved oceans just don't look right. Vignetting shows most readily with a solid color covering a sizable portion of the frame edge and corner, and though a gradient blue sky color may be pretty, this effect being caused by the lens is usually not desirable in a landscape image. A great sunstar can become the most-stunning element in a landscape image, and a wide aperture, typical of a prime lens, stopped down significantly, usually creates the largest, best-defined sunstars.
A prime lens downside is that you need to buy and carry many lenses to adequately cover the focal length range of a single zoom lens. The best zoom lenses available today have excellent image quality, and they are my choice for a significant percentage of my landscape photographs.
However, I often have both lens types with me, and sometimes I carry cameras with both types mounted at the same time. The look that 10mm allows is great. This lens is a relatively small, light, and easy to take with you.
The covers a wide range of most-important landscape focal lengths in a lightweight package. You want the if night skies are in your photos. Sigma delivers very impressive physical features to accompany the excellent image quality you can expect from this lens. With very decent image quality and a reasonable price tag, this lens is a great value.
This lens does not have the ultimate build quality or the ultimate image quality, but it is a very good lens for the ultra-low price. This lens is compact and light. Ultra-wide-angle through wide-angle focal lengths allow substantial amounts of beauty to be taken in, and especially advantageous is that these focal lengths permit both the foreground and the background to be kept in sharp focus.
Another important reason to select this lens for landscape photography is that it delivers impressive image quality completely into the full-frame lens corners. The weather does not always cooperate with photographers shooting outdoors, and this lens' weather-sealed build quality shines under inclement weather conditions.
The reduced max-aperture provides reduced size, lighter weight, and a very attractive price. This lens is a solid choice for both amateur and professional landscape photographers. While this lens's extremely fast AF may not matter for your landscape photography purposes, its great AF accuracy surely will.
Solid build quality, including weather sealing, is an important quality for an outdoor-uses lens, and the L II checks that box. Some landscape photographers will find image stabilization to be a desired feature that is missing. Shoot from a tripod or monopod. The biggest advantage this lens holds over the L IS II and the rest of its competition is the impressive 0.
While the optical improvements are not substantial, the II has less distortion at 24mm, has a better IS system, and features a better build quality. This lens is simply a great all-purpose choice.
This lens delivers very impressive image quality performance over its entire focal length range, and its pro-grade build quality is ready to go wherever you take it. Downsides: price, weight, and inability to mount a circular polarizer filter. When those situations arise, the Canon L II is my top choice.
This lens is easily portable and handholdable but features a very long focal length range that works exceptionally well for wildlife encountered while photographing landscapes. The image quality from this lens is impressive, and the build quality matches. This lens avails those long focal lengths that render distant subjects, such as mountains, substantial in the frame.
In this case, great image quality comes in a light, relatively compact, inexpensive package, all features that will be appreciated. Those working on a tripod will miss having a tripod foot for this lens, but the high-value price will be found compensatory. This lens has impressive image quality and is built for professional use.
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