An engaging five-session webinar highlighting the power of collaboration between local government, environmental organizations, First Nations, elected leaders coastal elements landscaping comox valley anima industry. This collaboration is essential to mobilize and respond effectively to the impacts of climate change.
Over the past years, the Comox Valley landscape has been transformed by logging, coal mining, agriculture, road building, industry, and development.
These altered landscapes are where the local impacts of climate change � flooding, erosion, and loss of biodiversity � first become evident.
But these altered landscapes also hold the greatest potential for building resiliency. Together, in partnership with local government, indigenous leadership, industry and community, we are stitching together altered landscapes of the Comox Valley.
What valey the starting place coastal elements landscaping comox valley anima our work in water sustainability, landscape scale restoration, collaboration and facing the impacts of a changing climate?
It starts with an understanding of the culture, land, water, and stories of the places where we do our work. The Comox Valley has never witnessed the scale of cross sector and cross jurisdictional work toward watershed sustainability than we have in the past 5 years.
This session will explore the complexities and opportunities of this regional collaboration at work. Kris La Rose � P. Local government leadership is making it clear that meaningful community engagement and climate change awareness are critical to all levels of community planning. What Coastal Elements Landscaping Comox Valley Quest tactics make a real impact? How do we deepen interest and engagement to achieve success? From official community plan processes to sea rise response strategies � community engagement in climate adaptation is at the top of the agenda.
Connected by Water is a program of the Comox Valley Regional District to build capacity, connection, and community in support of valey protection. This project connects schools, parks, sporting events, campgrounds and the public to stories and actions that help support the health of our watershed. Learn more about the approaches, messages, and successes of this project and how it can be applied to our collective efforts to support a coastal elements landscaping comox valley anima resilient watershed in the Comox Valley.
Since our formation inthe Comox Valley Land Ele,ents has protected and conserved almost hectares of ecologically significant land and wildlife habitat. This amima is thanks to the vision and generosity of our donors and partners.
Stay Informed. Get our news as it happens. Join our Mailing List. Climate Change, Collaboration and Landscape Restoration. Session 2 - Water, Place and Reconciliation. Session 3 - Regional Collaboration for Watershed Resilience.
Session 4 - Climate Change and Community Planning. Meet our Presenters. Join our mailing list to find out about the latest projects, news, and events! What would you coastal elements landscaping comox valley anima to receive? Go to Top.
Final:Follow these simple DIY ideas for winterizing the grass mower, as wallpaper says the lot about coastal elements landscaping comox valley anima character about the user. As landscapkng make a difference of actuality these entrance paths offer to symbol a total pattern as well as figure of a front yard. So if we have been in a mood to obey to consternation as well as move xomox own pleasing angel grassed area to hold upthat will pull seductiveness toward a front doorway, or anything in .
Receding water reveals a wide expanse of mudflats under a wide open sky. Walking out onto the exposed estuary connects one with the elements and the ancient history of this place, separated physically from the community but immersed in it. Oaks Above Duncan. My work stems from my long standing interest in both the natural environment and architecture. What attracts me often is the overlooked and the undervalued.
I respond to the places around the back of the main event and to the spaces in between. Those spaces can be physical or more conceptual such as the time between two events when nothing seemingly important seems to be occurring.
My work has been described as still and quiet and I often think of my work as stage sets. Island Elements. Color is what awakens and ignites creativity within me. My paintings are generally bright. Acrylic is my preferred medium. Landscape, seascapes and nature are what inspire me.
Such beauty in our natural world. Born on the East Coast and now living on the West coast, I feel truly grateful to live in this beautiful province with all the beauty that surrounds us. San Josef Sea Stacks. Water surging through the sandy passages at high tide has slowly eroded the softer rock, leaving behind these amazing majestic sea stacks that called to me to be painted.
Suspended in Waves. I am an abstract acrylic painter and I am inspired daily by the beautiful surroundings that we live in. Water is my favorite element on the island and features heavily in a lot of my work. This piece was inspired by a whale watching trip in Alert Bay. Mystic Isolation. When I moved to Vancouver Island it became obvious to me where I should head on my artistic path.
My earliest influence was Georgia O? Not only was she a great artist but a women I could relate to in life terms. I marvelled at the extensive collection of the Group of Sevens paintings. I particularly liked the informal flowing look, yet technically superb work of Lawren Harris and AJ Casson.
Seeing EJ Hughes work for the first time in was a revelation and I knew I was on the right path artistically. I am constantly learning new things about myself every time I complete a new painting. Reflections of a Mill Town. This painting began with random drips, shapes, and colours. A composite? Elements like sea and sky, hope for employment, and heart.
I am submitting this photo image because it interprets to me energy being released by a single type of atom. An element pure substance and the building block for all the rest of the matter in the world. Atomic energy. Along the Shoreline. Graduate of Emily Carr school of art.
Taught privately and through North Island College. Sold to collections locally and internationally. Currently prefer abstract acrylics and multi-media.
I am often told I must have a lot of patience to create my dot paintings. I have always loved nature and am an avid birder and photographer. Vancouver Island is special; there is inspiration to create everywhere I look. I am especially fascinated by the longevity of the trees I encounter in old growth forests; they radiate a warmth and collective strength.
The light that filters through the tree tops inspires many of my dot paintings. Good Day Sunshine. Jo is a Comox-based artist with a passion for exploring colour, texture, and light. She works with mixed media - primarily acrylics, pastels, and gold leaf, to create atmospheric landscapes and seascapes, and bold florals. She rarely works from photographs, preferring to work intuitively and let the painting guide her.
Since relocating to the Comox Valley from Alberta's Rocky Mountains several years ago, I have felt a renewed passion for landscape and wildlife subjects. Bonner Geese Flight. All these elements give me a smile to start my day. Horses have been a part of my life since childhood and they are what drives my art. I try to capture the beauty, grace and strength that is part of every horse. Working digitally allows me to get down to the fine detail which I love--to perfect an eye or a nostril gives me great satisfaction.
As I work from memory, it takes time to find the right movement, the right flex of muscle, the right 'look', but when it all comes together I feel as though the horse lives and breathes, ready to share its spirit with me. I've love art my whole life. But the last 3 years after moving back to Vancouver Island being in Alberta for 7 years has given me "new life" and inspiration like I've never felt before.
Being away gave me a whole new appreciation and it shows in my art. There's a playfulness and dream-like quality too which definitely stems from my personality. My art truly comes from my heart and soul. The Center of Joy. Lucy Schappy's wildly optimistic paintings are a form of visual poetry that express her love of life. Symbols and colour resonate together to form a dreamy playground for the heart and mind.
Her process is spontaneous and improvisational. Starting each new piece is an adventure that has no known end in sight. The process leads the journey and the outcome is unknown, a conversation evolves on the canvas of question and answer, each mark leading the next in a dance of brush and paint. The resolution of each piece comes at the end of a struggle to find balance and harmony amongst all of the aspects of the visual field.
Lucy's work is informed by the things she cherishes the most: light and colour, nature and space and time. Abstract work invites personal interpretation and engages the imagination, every painting tells a story and that story is unique to the viewer. Playful optimism is the common theme repeating in Schappy's odes of gratitude to the world. Water, oceans, rivers, streams and lakes flow all around us here in the Comox Valley, givers of life, they feed and sustain us with fish and seafood.
This precious resource is ours to protect and cherish. Sunshine on sparkling water, fresh air and wild places inspired this abstract piece that evokes a happy moment on a shore and the beauty and joy that it brings. Going Back from Whence We Came. Marianne Enhorning is a West Coast Canadian artist. Born in Sweden, she is deeply influenced by her family heritage. Marianne has spent many years alternating her time between natural and urban environments: on the West Coast as a kayak guide and in cities, working in architecture.
Before architecture, she had studied fine arts as part of her BA and has now returned to her true vocation, painting. Marianne creates evocative, dreamlike works in mixed media that are figurative, nature influenced and abstractly architectural. Her art emerges from her deep sense of longing for a world that is inclusive, equal and just; a world that is simple and kind. Good Morning Goose Spit. Marilyn has been an artist as far back as she can remember but it was not until later in life she decided to go back to school to study art.
Her work transcends the limits of British Columbia? Her connection with nature has been engraved in her soul since childhood. As a child she remembers spending many hours alone in the woods behind the house lost in her imaginary games and thoughts. The forest became her extension of home, a place to escape from the unsettling family dynamics. Now as an adult, Peeters continues to appreciate the land in a dynamic way; nature brings her a sense of empowerment and strengthens her soul which allows her to create a place that is somewhat unusual.
She likes to see it as a manifestation from a form of a spiritual ground of her faith. Walk In The Forest. For Martha, art has always been about a sense of place. After studying Fine Arts at the University of Alberta, she worked as an illustrator with an Edmonton design firm.
Her interest in painting eventually led her to join the FCA in Calgary. She turned full attention to streetscapes and old buildings, relocating to Vancouver to focus on the richly textured urban landscape? A sojourn in Texas infused her work with a recharged sense of colour and an interest in funky Americana.
If coastal design to you is synonymous with anchors, blue and white 'errthang, and seashells upon seashells�we totally get where you're coming from. And you would think, based on the name, that's exactly what it entails, but that's actually more typical of nautical decor. Coastal is another thing entirely, and while the two have some elements in common, coastal is decidedly less in-your-face and kitschy.
So where do you draw the line? Here's exactly what's up. Nor is it the same thing as Mediterranean, or tropical. In the simplest definition, coastal is beachy. Through use of natural light, soft tones, and a clean aesthetic, it's meant to evoke the breeziness of the beach. Basically, it feels like summer year-round inside your house. If you have one thing inside a coastal home, it needs to be abundant light. Interiors should never feel dim or cramped, but rather, light, open, and airy.
You want to feel as though there's no boundary between indoors and outdoors, so large windows, glass doors, and skylights are key. Window treatments are also minimal so as not to detract from the natural light, obvs. In order to create a relaxed, easy vibe, coastal design usually incorporates many natural elements.
This comes in through the furniture, often made out of wicker, rattan, or light, weathered woods, and fabrics. Rugs are generally straw, seagrass, or jute , and fabrics are simple and devoid of shine. You won't find many metallics or flashy textures, but rather, natural materials or light, billowy fabrics, like sheer curtain panels.
Though wood is common, it will usually be white-washed , or a blond maple or ash. See more at Bright Bazaar. While you might be inclined to picture a bold blue and white palette when you think of coastal, a crisp, white interior is actually more accurate. It's almost like minimalist design in the sense that less is more, and it favors neutral. Again, it's all about natural light, so a white room is going to make the space feel even airier.
But that doesn't mean you can't accent with color. Though you'll still want to keep it soft remember, there is nothing bold about this design , accent colors typically include neutrals, such as a warmer beige or khaki, light blues, greys, and greens. The palette "can be adjusted according to taste: true blues and crisp whites for a Med-like vibe; warm whites and pale blue-green shades for a country coastal mix; bright coral paired with sky blue for an exotic coastal style," Taylor says.
See more at Amber Interiors. Coastal furniture is meant to feel casual, comfortable, and easy. Natural furniture made from rattan and wicker are common, but too much of a good thing can feel very matchy-matchy, and sometimes a little too busy.
To add dimension and keep with the open and airy feel, slip-covered furniture in light cottons and linen is a go-to.
|
Creative Landscape Depot Guelph 2021 Outdoor Kitchens Kansas City Mobile Coastal Gardens Landscape Solutions Data Landscaping Companies Uxbridge Review |
