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Artist of the Year - Wikipedia

We asked James to tell us about his experience, what it was like to take part in a TV competition, and how it felt to landscape garden design ribble valley quarter a printmaker in a world of painters.

Over to James�. There were over 2, entries, and 48 artists were chosen to take part in the first stage six episodes, with eight contestants in. If only it was that simple! I had to be there really early for the start of the filming day, so I decided to head over the night. After an anxious and mostly sleepless night, I got up at the crack of dawn and headed to Lyme Park. I turned up with my linocut printing tools, inks, paper and pencils, met the film crew and the other seven contestants and had a healthy bowl of porridge in the catering bus.

Everyone was very friendly, and the other contestants were all as nervous as I. My linocut competition entry, Sheffield City View No. We were led into a tent to view the entries from the other contestants before the competition started.

There was a great range of styles. Landscape artist of the year zone that point, my entry linocut Sheffield City View No. The pods were individual platforms with a roof. Instead, our view was the other way around, of the gardens in the park. Instead, our view was of the gardens in the park. We also met the programme presenters, Frank Skinner and Joan Bakewell, and started our four-and-a-half hours of creativity.

I had planned my time in advance� however, it soon became apparent that time was going to be tight. However, it soon became apparent that time was going to be tight. I was finding it pretty hard to get my linocut. Joan came over to check how my print was getting on, landscape artist of the year zone the cameras in tow, and I revealed a test print, which I thought looked awful. Pretty embarrassing! With the cameras in tow, I revealed a test print, which I thought looked awful.

As I was standing next to an easel landscape garden design ribble valley quarter my picture on it, a gust of wind had blown one of my prints out of my pod and into the giant pond! Some poor runner was trying to fish it out! Frank and Joan then began to speak, and, much to my surprise, my name was read out!

Top three! Perhaps the judges were feeling sorry for me? So then myself and the two other shortlisted artists were interviewed again and questioned by the judges. I was dreading this bit. My mind by now was pretty frazzled, and getting more than a sentence out that made any sense whatsoever was going to be a challenge. Somehow I mumbled about my Lyme Park print, and my Sheffield one, and they nodded politely to the answers I gave to their questions.

There was more waiting around, then finally they lined the three of us up again to find out who the winner. We had to stand next to an easel with our picture on while being filmed.

It was at this point that I looked behind me to the pods we had been working in. A gust of wind had blown one of my prints out of my pod and into the giant pond we had been facing!

Some poor runner was trying to fish it. Frank and Joan started speaking. And, then � they called my name out! I was very much in shock, but also hugely flattered.

I was congratulated by Frank, Joan and the judges, and the other gracious contestants. I was filmed one more time, and tried to explain my incredulity to the camera. I felt bad for the other shortlisted contestants, but was also excited about what would happen. The TV people then sent a film crew up to my home in Sheffield to film a back-story about my work, family and other interests. They filmed me working in my studio, playing swing-ball with my son, interviewed my family and friends, and also my band The Big Eyes Family Players.

No pressure. There were now seven of us left in the competition, and we had to travel down to London to do another four-and-a-half hour mystery challenge. If the artists I had already seen were impressive, then these were going to be seriously good. I felt very out of my depth. There, I met the other contestants, a lovely bunch of people from all sorts of backgrounds. Some were full-time artists, some part-time and some students.

All were painters though, apart from me. After landscape artist of the year zone rather sleepless night, we all trudged on to a minibus that was taking us to a mystery location. No one could really work out where we were going, or where we were when we landscape artist of the year zone. The six other artists and I then headed to our hotel to try and relax and get some food and drink. It was good that we had a bit of time to hang out and talk about this surreal situation we found ourselves in, and share ideas about our art.

We were all nervous, but being in a group together made it feel a little less scary. At about 6. So, off we went. Landscape artist of the year zone panorama view included the bridge, the Landscape garden design ribble valley quarter of London and a view of the city, including The Gherkin.

A London City View! I still had no idea where we. We reached a clearing through some trees and could see our pods in the distance. Our view was on the Thames, by Tower Bridge! The panorama view included the bridge, the Tower of London and a view of the city, including The Gherkin.

I wondered if I could choose the latter, and was relieved to hear that I. Also, the weather was much kinder sunshine, warm and not much wind. I had decided to be a bit more realistic with the time given and try a smaller print this time, but still two-colour if I. It was the same format as the previous round, with lots of on-camera interviews, questions and chats with the judges. It was the same format as the previous round, with lots of on-camera interviews, questions and chats with the judges and Frank and Joan.

Frank Skinner was particularly friendly, and seemed very much into printmaking. I said he should come on one of my workshops! There were hundreds and hundreds of them all day, wanting to know what we were doing, and taking photos of us. It was nice that they were interested, but it was a little distracting!

Time ticked on, and from feeling like I had plenty of time to spare, I had about fifteen minutes to press my final print. I thought that my linocut had been going.

I had managed to create a two-colour print, and just managed to print the second colour with literally two minutes to go. It was all. Tools. More interviews were next, chats with the judges, and we landscape garden design ribble valley quarter all asked to line up again to be told who was going to make the final. Never mind. I guess I was a tiny bit disappointed that my part in the process had ended, but also slightly relieved that my next prints would be created in the privacy of my own studio, and not within a strict time-limit under the watchful eye of a camera crew.

I was a tiny bit disappointed that my part in the process had ended, but also relieved that my next prints would be created in the privacy of my own studio, not within a strict time-limit under the watchful eye of a camera crew. Additional photos by James Green. Camilla Westergaard is content editor at Folksy.

Her mother is a potter and she grew up with a ceramic studio in her house, surrounded by handmade objects of desire, leading to a lifelong love of craft.

When she's not stitching, printing and sketching, she can be found curating content across Folksy, interviewing designers and helping British makers get their work seen across the world. Craft Stories Interviews.

James Green at home via Our Fave Places. Camilla Camilla Westergaard is content editor at Folksy. Breuk � Scottish art with a Glasgow barcode. You may also like. Oruki Design � meet the landscape garden design ribble valley quarter wrapping and Whylder Mills � Meet the Maker. Annie Stothert Art � Meet the Maker. Bee Brown � Meet the Maker. Eynonymous Designs � Meet the Maker. Meet the Maker � Stitch Landscape artist of the year zone. Kate Cooke Ceramics.

Exploring Techniques � Cyanotypes.

Van Scoy , we take a look at eight contemporary artists pushing the medium forward. Phil created something interesting - which bore little relation to the view and raised questions about its longevity in terms of how it was made Megan's painting underwhelmed and included a non-existent sunflower. The deadline for entries is currently NOON on 30th April - although this deadline has sometimes been extended in the past. It acted as a reference point when she lived nearby and continued to appear in her thoughts when she moved back to Lebanon. I do know that sometimes artists are approached to enter - and it's often at this stage that the programme-makers start actively looking for possibles.
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